Buffalo - Buffalo Meat - Hunting - Deer Hunting
Buffalo History - Quail Hunting - Turkey Hunting - Hunting Rabbits
A Thrilling And Truthful History Of The Pony Express
An excerpt from the beginning of
CHAPTER I. "THE GREAT AMERICAN DESERT"
THE school-boy of half a century, and more, ago was taught by his geography that a large area west of the Missouri River, and not very far from the banks of that dark stream, was the "Great American Desert."
In somewhat uncertain lines that arid waste was shown on the map of the republic in his atlas, less known than the sirocco-swept Sahara. But before this almost unknown territory had been eliminated from his books, he began to learn through the everyday sources of information that this region was being encroached upon by the advance skirmishers of civilization.
The boy did not comprehend it all, but as he stepped along in years it became plainer and plainer, and by the time he had reached manhood and its affairs, his own progress and that of the far West had so broadened and improved that what he had learned of the "Great American Desert" had become a dim reminiscence.
First, the boy had seen a few of the volunteer soldiers of the Mexican War, who had come back to the States, and who had brought with them a mustang pony, curious Mexican jewelry and Indian trappings, a sombrero, and a serape of bright colors, a buffalo robe, and other things that specially impressed his youthful fancy. He heard the returned soldier talk to the "old folks" about the West and Southwest - not yet touching the Great American Desert, but getting quite close to it.
This set the boy to looking westward.
Then he heard of the discoveries of gold in California. Sutter's mill-race was his property, in a way, and he was well acquainted with neighbors who went away, far toward the "jumping-off-place," to the "diggings." Then came the song "Joe Bowers," that told the sad tale of a man who went to "Californy" to win a fortune for his sweetheart, and how she proved false because Joe had gone so far that he never could possibly get back, and she married a redheaded butcher and had a red-headed baby - according to Joe's wail of woe.
Then, through letters home, from the argonauts and other adventurers, the boy learned of emigrant trains that crossed the vast plains, and of the Overland Stage coaches, the great, swinging ships of the plains that were nearly like the caravels of Columbus, but following one after another, until there was an undulating line of them stretching from start to finish across the map, in his mind, of billowy prairie, sand-bottomed and treacherous streams, white-faced desert, mountain defiles, snow-crowned peaks, and so on to Sutter's Mill, and thereabout.
And the boy was close to the beginning of the facts.
Much was printed in the newspapers and magazines of the day concerning all this, and the boy devoured it. Now and then a book came within his reach that fairly teemed with the wonderful West and the exploits of men and women, and even some boys, like himself, in the long journey across the continent, and actually over the Great American Desert.
A Cultural History Of The American Novel, 1890-1940
This book interweaves a wide selection of the novels of the late nineteenth and early twentieth centuries with a series of cultural events ranging from Buffalo Bill's Wild West Show to the 'Southern Renaissance' of the 1930s. Minter examines a wide variety of period novels as works of art that arise from and that remain embedded in culture - arguing conversely, that cultural events such as the making of Chicago's Columbian Exposition and New York's Armory Show differ only in degree, not in kind, from novels. Minter thus constructs a broad and synthetic vision that portrays literary history as a cultural drama in which novels and events emerge as related sites of cultural expression. This book traces the history of African American theatre from its beginnings to the present. It analyses the types of plays written for this theatre, identifies the perennial problems faced by theatre artists and producing companies, and makes bold, innovative proposals for the theatre's healthy survival.
The Buffalo Runners
A blizzard was blowing wildly over the American prairies one winter day in the earlier part of the present century. Fresh, free and straight, it came from the realms of Jack Frost, and cold-bitterly cold-like the bergs on the Arctic seas, to which it had but recently said farewell. Snow, fine as dust and sharp as needles, was caught up bodily by the wind in great masses-here in snaky coils, there in whirling eddies, elsewhere in rolling clouds; but these had barely time to assume indefinite forms when they were furiously scattered and swept away as by the besom of destruction, while earth and sky commingled in a smother of whitey-grey. All the demons of the Far North seemed to have taken an outside passage on that blizzard, so tremendous was the roaring and shrieking, while the writhing of tormented snow-drifts suggested powerfully the madness of agony. Two white and ghostly pillars moved slowly but steadily through all this hurly-burly in a straight line. One of the pillars was short and broad; the other was tall and stately. Both were very solid-agreeably so, when contrasted with surrounding chaos. Suddenly the two pillars stopped-though the gale did not.
A History Of The Central Limit Theorem
This study discusses the history of the central limit theorem and related probabilistic limit theorems from about 1810 through 1950. In this context the book also describes the historical development of analytical probability theory and its tools, such as characteristic functions or moments. The central limit theorem was originally deduced by Laplace as a statement about approximations for the distributions of sums of independent random variables within the framework of classical probability, which focused upon specific problems and applications.
Making this theorem an autonomous mathematical object was very important for the development of modern probability theory.